JANSEN SCP OVERLORD PROFESSIONAL

Having several veterans on-hand and an extremely well-versed military advisor tends to help. Their attire is appropriate for their role, military lingo spot-on, and communications entirely accurate. They weigh the mission’s importance with the costs the task force may take on, and advise them to pull out when the task force believes they come across something too much for them to handle.Īs is probably obvious, the entire cast of “Overlord” is either ex-military or heavily trained. Even mission control is calm, quick, and cooperative. In a Hollywood that very rarely prioritizes realistic military operations, “Overlord” is a breath of fresh air. They don’t stumble over themselves, are uniform in their actions, are always alert, and are effective and efficient.

JANSEN SCP OVERLORD PROFESSIONAL

They show fear in their voices and facial expressions, but they execute their objectives in a professional and calm manner. In the film, they are well-trained, highly effective professionals brought in by an extremely powerful Non-Governmental Organization to take on threats that go against the laws of physics, and they behave as such. Importantly, the characters are believable. Oftentimes it only uses one or two notes, a high note and a low note, taking advantage of the psychology that high tones are “small” or “harmless,” and low tones “heavy” or “large,” and therefore “threatening.” It’s a time-old horror technique, to confuse the brain into feeling anxious. Much of the time it consists of ambient sounds and feels passive to let the viewer take in the impressive shot composition. The soundtrack is also great, if a bit Zimmer-esque. It reinforces the anomalous nature of whatever the task force is up against, it builds up fear and suspicion of what isn’t there. Additionally, “Overlord” makes use of negative space to give a feeling that there is something in the air that we aren’t seeing: the camera often lingers on empty hallways a tad too long, or on an empty doorway even if it seems like nothing is there. The lighting, through both natural overcast skies and forced darkness, adds a feeling of uneasiness everything is too bright. The long-takes add to this smooth sense of professionalism, as well as adding tension by feeling as if anything could happen, and you are right along with the task force members. The camera is always where it needs to be, always moving like a buttered-up snail that provides a measure of the calm, composed, professional nature of the task force members. This inexpensiveness is extremely well-covered up, winning several awards from the Tampa Bay Underground Film Festival (Best Short Film, Best Short Film Director, Best Cinematography, Best Effects, Best Sci-Fi/Fantasy Film). “Overlord” was made on a measly budget of $23,000, barely enough to buy a newline Toyota Prius. However, they soon discover an anomaly that they are not equipped to handle. Their objective is to retrieve data, clear the area, then pull out to let the heavy-duty task forces to take over. “Overlord” follows members of two Mobile Task Forces, investigating the disappearances of several people related to an esoteric cult based in a rural farmhouse. “SCP: Overlord” is one of a few fan-made films based on the ethos of the titular SCP Foundation: a horror-based, community-driven hub based on writing “SCPs”, objects deemed anomalous and dangerous to public consensus of normalcy.

” instead of “Bigfoot, a monstrous ape-like creature, towering over the humans at its feet as it reigned over the night.” Much of the horror elements in “SCP: Overlord” come from these cold descriptions, and your mind fills in the rest. As such, something like Bigfoot would be called “SCP-1000, a nocturnal, omnivorous ape, classified in the Hominini branch along with genera Pan and Homo.

The core of the SCP franchise is built on the unknown: the films are created from the viewpoint of a cold, efficient NGO.

Jansen scp overlord